There’s been a rumbling in the world of The Last Airbender. Years after Paramount announced that Avatar would make the animated leap to the big screen with a new movie about Aang and his friends, that ...

Anja Djuricic was born in Belgrade, Serbia, in 1992. Her first interest in film started very early, as she learned to speak English by watching Disney animated movies (and many, many reruns). Anja ...

From Netflix to Prime Video, and Shudder to the Criterion Channel, here are the best movies coming to each streaming platform this month. Netflix may get most of the attention, but it’s hardly a ...

New York Post may be compensated and/or receive an affiliate commission if you click or buy through our links. Featured pricing is subject to change. It’s lights out and away we go: the “F1” movie is ...

You wouldn’t call 2025 an “off” year for horror — more like an odd one. Both A24 and Neon continued to back several scary-movie auteurs (the prolific Osgood Perkins, the brothers Danny and Michael ...

Movies are the great escape. “Optimistic endings, passionate romances,” sings the incarcerated dreamer of “Kiss of the Spider Woman,” who looks to old Hollywood movies as an oasis of beauty and faith.

When Cal McCrystal’s hilarious production of HMS Pinafore was first staged in 2021, English National Opera took a gamble by casting Les Dennis as the First Lord of the Admiralty, Sir Joseph Porter.

When I was at prep school in the 1960s, a series of old military buffers came to give a lecture to my motley group of school friends about how we were predestined to run the British Empire; this was ...

English National Opera's production of Gilbert and Sullivan’s nautical love triangle-themed opera HMS Pinafore returns to the London Coliseum for its first revival, with a major guest star headlining ...

Our film critics rank their 10 favorites of the year. By Manohla Dargis and Alissa Wilkinson Manohla Dargis It was another great year for the movies and another horrible, hair-on-fire year for the ...

2025 was a year that posed a lot of questions for movie lovers: Did the success of Sinners prove that there was still a mass audience hungry for original (read: non-IP) stories on a blockbuster level?