Tucson Jazz Festival and Tucson Desert Song festival are different genres, but they intersect on Jan. 23 with jazz greats Dee ...
Whether Washington National Opera closes its 70th anniversary season with “West Side Story” or not, the company’s song of the ...
Presented by Bodhi Tree Concerts and based on a children’s book by Mexican-American author Duncan Tonatiuh, the bilingual ...
A Modern Masquerade will take place at the Kansas City Marriott Downtown in spring 2026. The event raises money to enhance ...
General and Artistic Director James Robinson revealed three new appointments to run Seattle Opera’s departments of Artistic ...
This month, Lyric Opera of Chicago is putting on a murderous operatic double feature of Mascagni’s “Cavalleria Rusticana” and Leoncavallo’s “Pagliacci.” The remaining performances will be at 7:30 p.m.
Gift Article 10 Remaining As a subscriber, you have 10 articles to gift each month. Gifting allows recipients to access the article for free. Influential Chicago lawyer Craig Martin will take over as ...
South Bend Lyric Opera, founded by Romanian tenor Emanuel-Cristian Caraman, celebrates its 10-year anniversary. Collaborations with local arts organizations such as the South Bend Symphony Orchestra ...
In this interview with John Mangum, the General Director, President & CEO of Lyric Opera of Chicago, we learn that in addition to the fabulous history of operas presented at the Lyric, there is so ...
Boston Lyric Opera's summer camp is teaching kids how to write their own opera. Over the course of a week, kids ages 8 through 11 years old create their own story, characters and song, then perform.
Stephen Schwartz steps away from ‘Wicked’ to bring rare 'Séance' opera to Lone Star Lyric in Houston
After the seismic success of “Wicked,” Stephen Schwartz could have continued down Broadway’s yellow brick road and written another blockbuster musical. Instead, he conjured “Séance on a Wet Afternoon, ...
When Domingo Hindoyan, the Venezuelan chief conductor of the Royal Liverpool Philharmonic, made his debut with L.A. Opera last November with “Roméo et Juliette,” Times classical music critic Mark Swed ...
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