The schlock-gothic Andrew Lloyd Webber megahit returns to keep Phans on their toes. For the rest of us, this immersive production is neither fun nor emotionally resonant. Jeff Kready and Anna Zavelson ...
Performances in N.Y.C. Advertisement Supported by Theater Review Andrew Lloyd Webber’s “The Phantom of the Opera” returns to New York in an immersive spectacle, as silly as it is thrilling. By Alexis ...
Most of Cameron Mackintosh’s monster Broadway hits — “Cats, “Les Miserables,” “Miss Saigon,” “The Phantom of the Opera” and “Mary Poppins” — are decades old now. But two things have swung in the ...
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