Source: Pexels. The Phantom of the Opera is one of those things that everybody has heard of, but not everyone can explain.
Five decades in, Andrew Lloyd Webber's mega-musical has an infuriating storyline and an impressive everything else. Cue the chandelier.
The schlock-gothic Andrew Lloyd Webber megahit returns to keep Phans on their toes. For the rest of us, this immersive production is neither fun nor emotionally resonant. Jeff Kready and Anna Zavelson ...
Performances in N.Y.C. Advertisement Supported by Theater Review Andrew Lloyd Webber’s “The Phantom of the Opera” returns to New York in an immersive spectacle, as silly as it is thrilling. By Alexis ...
Warning: This graphic requires JavaScript. Please enable JavaScript for the best experience. The iconic Broadway character Christine Daaé has been played by 40 women ...
The Phantom of the Opera will end its 35-year Broadway run on April 16. Still, Lloyd Webber longed to be thought of as a serious composer. He was proud that Cats was built around a fugue, and, like ...
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