L'elisir d'amore (The Elixir of Love) is a comic opera in two acts by the Italian composer Gaetano Donizetti. Felice Romani wrote the Italian libretto, after Eugène Scribe's libretto for Daniel ...
Giuseppe Verdi's La traviata - the fallen woman- is a compelling tale of love, intrigue, money and power in 19th century France. La traviata tells the heart wrenching story of courtesan Violetta ...
Worst, because he stayed true to his principle of only working with a full-time company, and when the chorus unexpectedly accepted a nine-month contract, announced his departure. For the first time, ...
Update RequiredTo play audio, update browser or Flash plugin. La Gioconda is an opera in four acts by Amilcare Ponchielli set to an Italian libretto by Arrigo Boito ...
Plus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe. Florida Grand Opera (FGO), with its new artistic vision, is proud to ...
April 8 11 a.m. Wagner's "Tristan und Isolde" Nina Stemme, Stuart Skelton, Ekaterina Gubanova, René Pape April 15 10:30 a.m. Verdi's "Aida" Liudmyla Monastyrska, Latonia Moore, Krassimira Stoyanova, ...
The tale of the defiant, fickle Gypsy girl, “Carmen,” opened the summer 2016 season at San Francisco Opera, and Bizet’s final composition, which always packs houses, was anything but the blue-plate ...
A diverse and dramatic trio of rarely produced operas headline the upcoming 2016 Wexford Festival Opera which takes place from 26 October – 6 November. The 2016 bash opens with Herculanum by Félicien ...
Soprano Nadia Aguilar Regalado of Hartford and Torreón, Mexico and has been judged the “American Opera Idol 2016.” Opera Connecticut’s live competition for opera singers between ages 14 to 54 took ...
COOPERSTOWN, N.Y. — What's the difference between an opera and a musical? Theories abound. Some say opera is through-sung while musicals include spoken dialogue (although there are many operas with ...
The WhatsOnStage Opera Poll, still open for business until the turn of the year, gives a good sense of what caught my eye on the UK lyric stage this year. Do drop by if you haven’t already done so.
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